adventure
Spider-Man: Homecoming is a refreshingly comedic and lighthearted superhero film, but it doesn’t quite work as part of a larger universe.
In the second of a series for 2017, we take a run-down through the box office potential of several high-profile summer movies.
The Mummy, while primed to be an intelligent blockbuster, lacks a cohesive storyline, solid characters and originality.
Jenkins, Gadot and company all worked admirably to bring the first Wonder Woman film out in a grand, exciting way, and that work has not gone to waste.
Guy Ritchie has joyously updated King Arthur with the same distinctive style as his Sherlock Holmes movies. Purists may want to look away.
Sleight offers great commentary about the lack of opportunities for minority communities – yet ironically never lets its hero use his powers.
Losing Sight of Shore is an inspiring and empowering documentary about four women who crossed the Pacific Ocean in a rowboat.
The Lost City of Z is a work about a British explorer that triumphs in visual splendor, forming an identity as a meditative outlook on life.
Otto Bell’s documentary The Eagle Huntress is empowering – even if it does frequently feel staged or exaggerated for dramatic effect.
Entertaining without being too campy or ironic, Power Rangers gives its target audience what they’re looking for – sentiment and nostalgia.
Exploring the role of animated sequels such as Toy Story and Trolls as either worthwhile tales or money making schemes.
A dazzling picture that’s as comedic as it is entertaining, bursting with a Brazilian energy that brings to mind the Bossa Nova rhythms of Sergio Mendes.
Our latest “In Defense Of” is The Lost World, the Jurassic Park movie that has typically been overshadowed by its masterful predecessor.
Kong: Skull Island is fleeting entertainment, but given its massive budget and the audience’s predisposition to Kong, that’s not a terribly impressive feat.