adventure
Love it or hate it, Captain Marvel gives an empowering ethos, secured with a talented cast that makes this movie-going experience on par with previous entries.
We recap episodes 10 to 13 in the fourth season of The CW’s Supergirl, leading to the introduction of Lex Luthor.
The Last Walk, a short film by Anna Hoover, is a heartbreaking, but beautiful tribute to the land for which it captures.
More of a Meh-vel than a Marvel, but this first Captain Marvel film gives hope for stronger sequels in the future.
The Kid Who Would Be King is a surprisingly epic and spirited film, driven by an adventurous spirit and enough clever fun to keep things fresh during a sometimes long-winded ride.
The Man Who Killed Hitler and Then the Bigfoot is not the B-movie you’d expect, but it is an emotionally engaging and gripping film nonetheless.
The Lego Movie 2 is a perfectly crafted sequel that expands on the world of its predecessor, but stands firmly on its own little Lego-legs.
The Quake repeats a lot of the same beats from The Wave, assuming it’ll be another sure-fire success – but it leads to a mild case of sequelitis.
Then Came You doesn’t break new ground, but Asa Butterfield and Maisie Williams have the film bursting with such a youthful energy that it’s hard to not at least enjoy the show.
The conclusion to the animated trilogy, Godzilla: The Planet Eater, is as flawed and unsatisfying as the previous entries – and it might be the dullest of the bunch too.
A Dog’s Way Home is predictable but effective – although its cuteness does eventually outstay its welcome.
A form of political agenda has been present in film since the dawn of cinem, with YA adaptations like Harry Potter and The Hunger Games influencing a new generation.
In the latest of our Away From the Hype series, we examine Indiana Jones and the Kingdom of the Crystal Skull, to see whether it is deserving of its negative reputation.
It’s undeniably flawed, but considering its mindbogglingly low £2,000 budget, The Bastard Sword is an impressive achievement.
Storm Boy, an adaptation of a beloved 70’s Australian children’s book, succumbs to the powers of its own nostalgia.