addiction
The opening of Trey Edward Shults’ Krisha is intense. A few seconds in, we are staring eye to eye with Krisha, the titular character (Krisha Fairchild). She is looking at us, and we are looking right back.
We currently live in an age where the classic rom-com has become taboo. Jerry Maguire and When Harry Met Sally have been traded out for Trainwreck and now Sleeping with Other People. The problem with this new modern movement is that the emotional heart of the original 80s and 90s films are mostly lost.