addiction
With William H. Macy taking the director reins this week, episode five of Shamless gives viewers glimmers of the familial ties that keep this show from going off the deep end.
While providing some fun, the “Weirdo Gallagher Vortex” will keep your attention, though it doesn’t really feel like a step forward, leaving viewers waiting for the Shameless we’ve come to love.
A Fine Wife is an important film and a conversation starter, giving us a raw inside look at mental illness from the point of view of a loving mate.
Darren Aronofsky has made a career out of provoking his audience with visceral films of addiction, obsession and the imbalance it brings to a character’s mental state.
Nico, 1988 from director Susanna Nicchiarelli respectfully marks the 30th anniversary of the late singer’s death while attempting to restore a little of her legacy.
Matthew Heineman’s The Trade is an exposé of the highest calibre, examining up-close a crisis with no tangible solutions.
Doubtful proves to be an intelligent, intimate, and potent first feature for Israelian director Eliran Elya.
With 30% of British children living in poverty, director Candida Brady’s film couldn’t be timelier, depicting the harsh realities of young Britons’ lives with an unapologetic sincerity.
It is always a breath of fresh air when a documentary like Skid Row Marathon comes along, which is so heartwarming and heartfelt that you can’t help but be moved emotionally.
Small Town Crime delivers the goods with a layered story, enthralling mystery, classic and evocative but innovative action, and a cast and crew devoted to a singular artistic vision.
Whitney: Can I Be Me focuses more on the context and hidden traumas of Whitney’s life than the music itself, but that’s no bad thing.
We spoke with London-based director James Hughes about his short film THE NOMOPHOBE and the implications of smartphone addiction.
At times brimming with invention and at other moments leaving you confused as to who this is for, Nine Lives doesn’t fully deliver.
It’s no fun to criticise an aspiring filmmaker’s low budget passion project- but when the result is as misguided as Quarries, it’s necessary.
The inner urge for survival is the most primitive of all impulses. For the longest time, sex was believed to be the driving force that pushes people, unconsciously and fully-cognizant, towards certain results in life. But after WWII especially, psychologists and holocaust survivors began to revisit the idea, and psychoanalysts took the obvious cue from Darwin: