Adam Driver
It’s truly difficult to qualify the beast of an experience that is Megalopolis, and because of that, there’s an undefinable elegance.
An architect wants to rebuild New York City as a utopia following a devastating disaster.
It’s hard to imagine Noah Baumbach making a film about an apocalypse, yet this enigma-raveled concept perfectly encapsulates White Noise.
Ridley Scott’s House of Gucci is a biographical crime-drama about the woman who put a hit out on her ex-husband, Maurizio Gucci.
The Last Duel is a comfortable return to the medieval genre with tense battle sequences and an urgent takedown of a misogynistic system.
When no one believes a woman’s accusation, her husband challenges his friend to a duel, the last legally sanctioned duel in the country’s history.
Not everyone will be won over by the weirdness of Annette, but for those who are, they will absolutely love it.
With three decades of love, betrayal, decadence, revenge, and ultimately murder, we see what a name means, what it’s worth, and how far a family will go.
A stand-up comedian and his opera singer wife have a 2 year old daughter with a surprising gift.
Star Wars traffics heavily in the tropes of “the hero’s journey,” and it has a rather neat analog in the patterns of Jewish immigrant literature.
It’s hard to predict how The Rise of Skywalker will age once the initial shock wears off, but if anything this is a reminder to support independent filmmakers and those willing to challenge the status quo.
Marriage Story is a promising film, but Baumbach’s strategies in drawing out his character arcs are uneven, insufficient, and disappointing.
The Report is deserving of every ounce of praise it receives on its performances, accuracy, and commentary, but getting through the film is a bit of a slog.
Noah Baumbach’s incisive and compassionate look at a marriage breaking up and a family staying together.