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Lady Bloodfight is full of frenetic, full-blooded fight scenes between a diverse array of badass women that will not disappoint.
Avoiding cliches and mostly celebrating in richly defined performances, Jawbone is among the more engaging boxing movies in recent memory.
In the first of a series for 2017, we take a run-down through the box office potential of several high-profile summer movies.
Overstuffed, generic, and with poorly executed CGI action, The Fate of the Furious is nothing more than another franchise crowd-pleaser.
Wasted characters, little humor, and lackluster action scenes make CHiPs a rather bland adaptation of the famous TV series.
Ghost in the Shell is full of visual splendor, yet ultimately lacks the originality or prowess of the original Japanese anime film.
Logan serves up the classic Western anti-hero in the realm of a dystopia, spinning the myth around while also keeping its machismo intact.
Here Alone is a survival story in a zombie apocalypse, but its story struggles to survive against the great zombie films that precede it.
Entertaining without being too campy or ironic, Power Rangers gives its target audience what they’re looking for – sentiment and nostalgia.
Free Fire may be far from the best movie of the year, but you are guaranteed to have one of your most fun times at the movies when checking out Wheatley’s latest.
Exploring the role of animated sequels such as Toy Story and Trolls as either worthwhile tales or money making schemes.
Kong: Skull Island is fleeting entertainment, but given its massive budget and the audience’s predisposition to Kong, that’s not a terribly impressive feat.
Collide is a film that has talent in front of the camera, but they’re wasted through strings of mindless action and laughably poor dialogue.
While Lego Batman is essentially a spoof movie, it’s especially impressive that this film was able to keep us laughing from beginning to end.
There’s no living with, with a killing. There’s no going back from it. Right or wrong, it’s a brand, a brand that sticks.