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With strong performances and flawless filming, The Villainess briefly losses its identity before concluding with a stunning finish.
The John Wick films pose challenging questions about the nature of violence and the type of men who are attracted to its endless cycle.
Despite committed, enjoyable performances from Samuel L. Jackson and Ryan Reynolds, The Hitman’s Bodyguard is tired, cliched and overlong.
While full of plot holes and shakes characters, What Happened to Monday is still a weird, yet perfect movie for a night in.
With its timely statement about diversity in America, the bland and boring Bushwick fails to meet expectations.
Once Upon A Time In Venice is clearly a film made by cinephiles, but the scattered subplots and underdeveloped characters combine for an overall misfire.
6 Days is a mostly well-made film based on true events, but its similarity to our current political climate makes it an uncomfortable watch.
Another entry in the continuing trend of independent horror, Cut Shoot Kill just manages to stand out amongst the masses.
Though with the talented Halle Berry at the helm, Kidnap is a poorly made action thriller that is lacking in story, acting, and execution.
In the summer films War for the Planet of the Apes, Wonder Woman, and Dunkirk, the serious subject of war is pandered down to its audience.
Atomic Blonde may be sloppy in structure, but it is oozing with immaculately executed action and a finely tuned performance by Theron.
War for the Planet of the Apes is a must-see, visually stunning achievement and a satisfying addition to the series.
Transformers: The Last Knight is a surprisingly engaging film for the franchise, bringing the series in an interesting direction storywise.
The Persian Connection is a bold, tense, and thrilling film, even if its thematic reach just exceeds its grasp.
Christopher Nolan’s terrific anti-war film divorces itself from any political interpretations to bluntly show the horrors that unfolded at Dunkirk during World War II.