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Upgrade a gleefully nasty film that relies on a unique mixture of futuristic beautiful landscapes and old-school grindhouse fun.
The problem with praising China Salesman is you won’t be taken seriously. But view as the Schlock it unashamedly is, and you’ll be entertained
In this Beginner’s Guide, we look back on the Marvel Cinematic Universe (MCU) so far and pick out the most important films to watch from the collection.
With a divide between masterful filmmaking and a hard to buy love story, audiences will find Adrift enjoyable, but with a disposable romance.
Too heavy in its fan service at times, Solo: A Star Wars Story is not a terrible Star Wars entry, with enough fun moments to please.
In the latest of our Away From the Hype series, we take a look at The Dark Knight Rises, the final cap to Christopher Nolan’s Dark Knight trilogy.
Though struggling with its initial attempts to find its footing, Deadpool 2’s overall sense of exuberance and self-aware nonsensicality is still evident throughout, showcasing both David Leitch’s talent to direct action and Reynolds’ commitment to his character.
It may sound like exploitative torture porn, but Revenge introduces director Coralie Fargeat as a filmmaker worth your attention – taking problematic genre tropes and subverting them into a vital, exhilarating feminist film.
With a severe lack of thrills and a shortchanged main character, Breaking In fails in nearly every regard.
Believe the hype. Avengers: Infinity War begins to close the portal to Marvel Studios’ three phases in an extravagant fashion, serving as a prime example that story and spectacle can coexist in a summer blockbuster.
Failing to bring anything new the second time around, Pacific Rim: Uprising suffers from an identity crisis with little chance to rise up from its cinematic shortfalls to save itself.
This particular re-imagining of Tomb Raider is nothing short of a living, three dimensional video game that Tomb Raider gamers can be over the moon about.
Steven Spielberg’s Ready Player One is a truly exhilarating visual experience and a thrilling ode to pop culture. Spielberg’s control of the camera and expertise in crafting an action sequence is nonpareil, ultimately making the film the greatest movie to see in 3D since Avatar.
The screenplays of A History of Violence and Rambo: First Blood share similarities in their stories, such as centering on violent men who are confronted by their past, and how each of them deal with this collision of their two worlds.
Disguised simply as a small-scale action horror film, Mohawk becomes a good focal point for something much larger than itself, which enables its flaws to be more readily overlooked.