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Hundreds of Beavers is a comedic masterpiece, delivering non-stop hysterical sight gags, formal ingenuity, and cathartic woodland violence.
There is a deep love that carries through the devastation, Train to Busan delivers what movies are all about.
Formerly the realm of big-budget blockbusters, the subgenre of underwater thrillers has been flooded with relentless low-budget pictures.
Kung Fu Panda 4 has lost some of its mojo, but still has a few nice moves left in this old franchise.
A dark fairy tale that blurs the line between reality and fantasy, Riddle of Fire will make you feel young again in the best way possible.
Jericho Ridge is indeed a B-movie take on Assault on Precinct 13, coupled with plenty of Carpenter style flourishes which show Gilbey did his homework.
Madame Web is trapped in the past for feeling like a mid-2000s comic book movie too ashamed to evoke its source material
No Way Up still retains the entertainment factor, no matter its predictability and overarching absurdity.
While not as predictable as the pattern, Argylle doesn’t have much surprise despite its cast and energy.
Despite Aquaman’s need to make one last cannonball for the DCEU, he only makes a mild splash in a mostly empty pool.
Die Hard is not a film that just occurs during the holiday season, but rather because of it.
Writer and Director Makoto Shinkai talks about his film Suzume, his influences, video games, mourning, loss and having an asteroid named after him!
Concrete Utopia stakes its claim as the heir apparent to Parasite and Squid Game and should have similar crossover appeal for international audiences.
Despite positive feedback from the press, The Nice Guys went overlooked by the public, sadly tanking at the box office. It’s time to fix that problem.
Napoleon feels a lot like its titular character: loudly ambitious to a fault, and it can’t make up its mind on what to be.