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Even with a few decent set-pieces and exceptional acting from the ensemble, The Kitchen is not the adaptation we deserve.
So while we did get some leads on our ongoing plot threads, The Boys continues to wallow in its worst tendencies.
Overlong, overblown, and painfully unfunny at times, Hobbs & Shaw is a misguided endeavor that struggles to offer a sense of fun.
The Boys is a bizarre mishmash that leads to some mishandling of sensitive material and a strange tonal dissonance throughout.
Sometimes simple is all you need to make a fun movie, and with its quintessential man vs. nature thriller, we need more simple movies like Crawl.
Stuber isn’t a life changing film, but it’s a worthy addition to the buddy-cop comedy pantheon.
Without the love and affection of its predecessor, nor does it have a sense of discipline or focus, Iron Sky: The Coming Race falls flat.
With an uninspired script and meaningless dialogue to fill space, Cold Blood is lifeless from the opening moments, failing to live up an action movie or thriller.
Season 3 of Stranger Things reminds us why we love this show, and it’s not just the nostalgia, it’s the characters.
Anna just isn’t quite the fun thrill ride that one might have hoped for, suffering from a disorganized plot, characters devoid of personality, and less-than-stellar action.
As Alien turns 40 this year, it’s a good time to revisit the original film, examining the legacy that has endured from it.
Spider-Man: Far From Home has all the right stuff, tinkering with the superhero formula and reshaping what we’ve come to expect.
2019 saw the end of both Game of Thrones and The Avengers as we knew them. Luke Walpole takes a closer look at the respective finales.
Murder Mystery is a generic comedy from Adam Sandler, but thankfully never up there with the actor’s worst efforts. Mark MacPherson reviews.
With audiences expectations through the roof, Dark Phoenix’s climatic conclusion is a forgettable blockbuster.