action
Kristy Strouse reviews the campy action fantasy, Prisoners of the Ghostland, and spoke with star Bill Moseley.
Cobra Kai may look like a series leaning heavily on nostalgia and cheesy drama but deep down, it is a humane portrayal of one’s journey to redemption.
Teenage Bounty Hunters hit an unlikely intersection of relatability, character and relationship growth, and adventure.
Alex Lines had the chance to talk with director Dante Lam about his latest film The Rescue.
High Ground passes every landmark of the proliferating Meat Pie Western but is unable to escape the calculable cliches.
Though not without its flaws, Wonder Woman 1984 proves to be a worthy and striking follow-up to an already great prequel.
The crystal-clear visual spectacle is on full display, making this 4K Ultra HD Blu-Ray of Tenet comes highly recommended.
On the surface, Sphere — a 1998 flop directed by Barry Levinson and adapted from Michael Crichton’s hit sci-fi thriller — is perfect for lockdown.
While far from perfect, Mosul is an effective look into a country ravaged by war and constantly searching for hope.
Fatman is an exhausting, vile, depressingly boring movie which might have been kinda funny as a skit or short.
Chick Fight never takes advantage of the premise it was trying to flesh out, and loses any feminist credibility it could have had.
André Øvredal’s Mortal is a mature and sober take on the superhero origin story, favoring emotional conflict over physical conflict.
Attack The Block from Joe Cornish remains a rare gem that challenges the audience just as much as it entertains.
The Paper Tigers is crafted with a sense of passion that can only come from a filmmaker who is eager to express their own intimate creativity.
The series Cobra Kai falls in the category of doing nostalgia right, combining both elemnts of the films of the 1980s while also remaining fresh.