A24

THE FAREWELL: A Subtle High Concept Drama
THE FAREWELL: A Subtle High Concept Drama

The Farewell reveals Lulu Wang is a director to watch out for, but loses impact by leaving so many of the themes it wishes to explore unspoken.

THE LAST BLACK MAN IN SAN FRANCISCO: A Gorgeous, Heartfelt Portrait Of A Changed City
THE LAST BLACK MAN IN SAN FRANCISCO: A Gorgeous, Heartfelt Portrait Of A Changed City

The Last Black Man In San Francisco is a deeply moving film, and probably the best film with San Francisco as its backdrop.

HIGH LIFE: Black Holes and the Science Fiction of Depression
Black Holes & The Science Fiction Of Depression In HIGH LIFE

What happens to those without resources to evacuate a dying world? John Stanford Owen examines life and humanity in High Life.

Staff Inquiry: Favorite A24 Films
Staff Inquiry: Favorite A24 Films

A24’s films have produced countless conversations amongst Film Inquiry writers – here, they pick their favourites from the studio.

GLORIA BELL: Julianne Moore Delivers A Dazzling Performance

While Gloria Bell might be almost a carbon copy of 2013’s Gloria, the film demonstrates how much Sebastián Lelio has evolved as a director over the past six years.

THE HOLE IN THE GROUND: Not Perfect, But Promising For Lee Cronin
THE HOLE IN THE GROUND: Not Perfect, But Promising For Lee Cronin

The Hole in the Ground is the rare film which would have benefited from being less subtlety and amping up the craziness to achieve the desired sense of unease.

UNDER THE SILVER LAKE: A Mesmerizing Mixed Bag
UNDER THE SILVER LAKE: A Mesmerizing Mixed Bag

While a bit rough around the edges, Under the Silver Lake is one of those films that you’ll be lucky to experience even in light of its flaws, and stands as an astounding sophomore effort.

Fantastic Fest Review: MID90s: Jonah Hill Graduates with Honors
Fantastic Fest Review: MID90s: Jonah Hill Graduates With Honors

In a decade over-saturated with cheap nostalgia, it is a delight to see a film about the 90s that doesn’t try to be about the 90s; Mid90s tells a timeless story of self-discovery.

SLICE: Chance The Rapper's Film Debut Is A Stylish But Disappointing Mess
SLICE: Chance The Rapper’s Film Debut Is A Stylish But Disappointing Mess

Despite the attempt to be original with a subtly spooky fogginess, Slice is a sluggish creation, doling out little bits of plot information at an unhurried pace.

HIGH LIFE: Claire Denis Goes Extreme
HIGH LIFE: Claire Denis Goes Extreme

The English language debut of iconic French director Claire Denis is thematically dense and transgressive, designed to provoke intense debate.

HOT SUMMER NIGHTS: A Stylish Debut That Can’t Live Up To Its Own Promise

Hot Summer Nights’ story is not adequately interesting to justify the legendary tone, and it winds up feeling anodyne when it should feel explosive.

A PRAYER BEFORE DAWN: Violent Biopic that Pulls its Punches
A PRAYER BEFORE DAWN: Violent Biopic That Pulls Its Punches

A Prayer Before Dawn boasts a fantastic central performance from Joe Cole, but unfortunately, wastes an astonishing true story in favour of genre cliches.

HEREDITARY: A Confident, but Overhyped, Directorial Debut
HEREDITARY: A Confident, Provocative Debut That Offers Nothing Below The Surface

Just like his earlier short, Hereditary feels like nothing more than a provocation, updating the parental anxieties of Rosemary’s Baby for the modern era — and adding no substantial allegory that makes it feel any deeper than this.