3D
The 3-D Film Archive and Flicker Alley deserve credit for bringing these films back into the spotlight, where they can be seen by those who will appreciate them.
The only thing more surreal than the experience of going to see Bi Gan’s Long Day’s Journey Into Night is perhaps the movie itself.
Director Alexandre Astier returned to the beloved comic world of Asterix in the first completely original adaptation. Read our interview to find out more.
EM Waves. Polarization. 3D. Have you heard terms like these flying around sci-fi movies and TV? Have you ever wondered about their scientific accuracy?
Remember when 3D movies dominated our cinematic landscape? No, not the 1980’s, where blurry red and blue glasses gave way to gimmicky horror films such as Jaws 3D and Amityville 3D. I’m also not talking about the early 2000’s, where 3D was turned over to children’s films, producing flops like Spy Kids 3 and The Polar Express.
“My approach to 3D is in a way quite conservative … I want it to be comfortable. I want you to forget after a few minutes that you are really watching 3D and just have it operate at a subliminal, subconscious level. That’s the key to great 3D and it makes the audience feel like real participants in what’s going on.