20th Century Fox
Director David Bruckner blends the bombast of Hellraiser into today’s horror mode of choice for Hulu’s 2022 reboot of the franchise.
This week, Shawn Glinis highlights the new home video releases of Ad Astra, Criterion’s release of All About Eve (1950) and Olive Films’ release of The Bells of St. Mary’s (1945).
Spies in Disguise is an almost poetically appropriate summary of everything computer animation has become in the last ten or so years.
Office Space is a cult classic that still resonates with society today. Joseph Dominguez looks back at this classic 1999 film.
9 to 5 has laughs from beginning to end, a catchy theme song, clever editing techniques, and inspirational characters who prove that we’re better united than divided.
Faith-based films like Breakthrough, can often be a big ask for audiences, religious or otherwise. Find out more in our review.
In the age of toxic masculinity at its most unbearably malignant, Fight Club is still an effective parody of the spread of hate between generations.
The Kid Who Would Be King is a surprisingly epic and spirited film, driven by an adventurous spirit and enough clever fun to keep things fresh during a sometimes long-winded ride.
Home Alone 2 does offer holiday charm, cheekiness, and sass that makes you love your family even when you wish you never belonged with them on Christmas Eve.
The charisma of Macaulay Culkin matched with the intelligent script by John Hughes makes Home Alone the definitive holiday story that it is, appealing to all ages.
Paris, Texas readily evokes a bit of the ruggedness of the Old West, reflecting the degradation of this vast country as much as the austere beauty.
Jingle all the Way is undeniably a trashy film, but it’s hard to beat the comedy of Arnold Schwarzenegger running around town fighting his way to purchase a Turbo Man action figure.
The Hate U Give is an important film; it understands the suffering poor communities go through, and how economic circumstances can enflame racial tensions.
Bohemian Rhapsody provides casual fans with some raucous concert re-enactments, but those seeking insight into the band’s and particularly Mercury’s history should look elsewhere.
On the performances alone, Bad Times at the El Royale is worth your time and money, lending itself to justifiable reasons to revisit for multiple viewings.