2023
The Origin of Evil is a slow-burning, deliciously dark, and comical thriller with layers to savor.
A Guide to Becoming an Elm tree is one of the must see films of this year’s Fantastic Fest.
Mushrooms is a dark fairy tale, reverberating elements of the Brothers Grimm while grounding its revelations in modern horror.
The Creator’s many impressive technical qualities are entirely mishandled, their import put above what a movie really needs: a good story.
Fair Play is a hauntingly realistic depiction of toxic masculinity and sexual politics centered within the cutthroat and challenging world of high finance.
When Evil Lurks proves itself a visceral horror that will get under your skin.
Bottoms is like a walk-through tour of a museum for high school comedies. It’s familiar, and nothing but fun.
The GameStop short-squeeze of 2021 is dramatized in the rough and messy but ultimately entertaining “Dumb Money.”
With Flora and Son, Carney is venturing toward more trendy mainstream territory again and yet stays within his most comfortable milieu.
Throw in an informative booklet with an essay by Eric Le Roy and Early Short Films of the French New Wave is truly a must-own.
Hell of a Summer is a campy blast of a film, blending the nostalgia of 80s camp slashers with coming-of-age teen comedies.
Waiting for The Light to Change is a snapshot of Gen-Zers and the anxieties of the times.
Stories about college professors are popular at this year’s Toronto International Film Festival, with both Hit Man and Dream Scenario being examples.
Killers of the Flower Moon isn’t just a historical tale but a profound and subtle commentary on history, humanity, and the power of storytelling.
Unfortunately, every single second that came before the ending in Alice & Jack was terrible.