2023
While occasionally veering into an overly complicated and opaque narrative structure, The G is a fun genre thriller with an incredible performance.
The Movie Emperor spawns one of Andy Lau’s most interesting performances in recent years.
I’m thankful for Seagrass because I’ve rarely felt so understood by a movie even as there are always more stories to tell.
A touching portrait of personal resistance in the face of violence and repression, Shayda is a standout debut.
The world is bedazzled by everything Taylor Swift does, and in the wake of Barbenheimer and event cinema being a defining feature of 2023.
Durkin’s moving, muscular tale will astound and captivate you, and is unlikely to leave a dry eye in the house. The Iron Claw is a spectacular triumph.
Every time The Breaking Ice seems to be on the brink of shattering, it glides.
Float loses much of its authenticity and charm in the lackluster filler and predictability, drowning with no chance of rescue.
Disco Boy doesn’t quite work, though thanks to some quality craftsmanship and the always-fantastic Franz Rogowski, it does come close.
A multilayered depiction, Good Grief delivers on what its title promises and audiences will find they are richer in experience for it.
CRATER, a sci-fi kids’ movie that was scrubbed from Disney+, wastes the talents of its young cast, especially Mckenna Grace.
Which Brings Me To You is a heartwarming romantic comedy that strives to reach beyond the simplicity of love matches and mishaps.
This month Indian Cinema was full of blockbusters, hits and artistically acclaimed films.
Dad Jokes leaves us excited for Welch’s future in comedy, and the potential for a new chapter in her comedic journey.
I.S.S. is a serviceable space thriller, one that remains light on ideas but sticks to sturdy tropes.