2023
Ruby Gillman, Teenage Kraken doesn’t make a huge splash, but it does tread well enough to be an enduring animated film for those still in the kiddie pool.
Asteroid City is stylistically undifferentiated from most of Anderson’s recent output but it does take the audience behind the curtain.
From Fantastic Mr. Fox to The French Dispatch, something strange and different happens every time and Asteroid City is no different.
Fresh Kills is a uniquely compelling piece of work in the pantheon of gangster movies, grounded by powerful performances and a stellar directorial debut.
While Minted presents intrigue in both the product and the artists behind them, it struggles to become a cohesive unity of art and information.
A cathartically devastating film, Our Son reaches deep into the wells of emotion.
In our latest review from the Tribeca Film Festival, One Night with Adela may be a bumpy ride, but it’s a wild one.
The Line is a well-oiled stress machine with its depiction of this pervasive, casually cruel facet of college life.
Common Ground is deeply impactful, becoming the vital eye opening documentary it needs to be.
Making a good double feature, Payton McCarty-Simas reviews He Went That Way and Dead Girls Dancing!
Despite being better than previous entries, it still has some rust that holds it back from being anything more than an average summer blockbuster.
From Tribeca Film Festival Payton McCarty-Simas pairs two films, one an ode to midnight movies past, with another paean to movie obsessives.
There’s lots of potential in Taylor Mac’s 24-Decade History of Popular Music, but only Taylor Mac fully lives up to it.
With the buzz surrounding the hype of the upcoming Oppenheimer, the lackluster representation of Richland weighs heavy.
If you like the stories of Stephen King or you just like to be scared, this is something you should really be checking out.