2023
A cathartically devastating film, Our Son reaches deep into the wells of emotion.
In our latest review from the Tribeca Film Festival, One Night with Adela may be a bumpy ride, but it’s a wild one.
The Line is a well-oiled stress machine with its depiction of this pervasive, casually cruel facet of college life.
Common Ground is deeply impactful, becoming the vital eye opening documentary it needs to be.
Making a good double feature, Payton McCarty-Simas reviews He Went That Way and Dead Girls Dancing!
Despite being better than previous entries, it still has some rust that holds it back from being anything more than an average summer blockbuster.
From Tribeca Film Festival Payton McCarty-Simas pairs two films, one an ode to midnight movies past, with another paean to movie obsessives.
There’s lots of potential in Taylor Mac’s 24-Decade History of Popular Music, but only Taylor Mac fully lives up to it.
With the buzz surrounding the hype of the upcoming Oppenheimer, the lackluster representation of Richland weighs heavy.
If you like the stories of Stephen King or you just like to be scared, this is something you should really be checking out.
The End of Sex blends sex comedy with a more traditional romcom, which sometimes works but the humor doesn’t always land.
Bad Things struggles with its interactions, yet excels in its horror.
From anger to frustration to tears, Take Care of Maya delivers a deeply affecting look at the breakdown of a family when another says its broken.
Donnie Yen might not be King Hu behind the camera, but he’s still a joy to watch in front of it — even in a weaker wuxia like Sakra.
With Catching Dust, Stuart Gatt crafts a narrative tale around the explosive power of human emotion.