2023
Barbie is the ultimate summer movie for having as much wit and wisdom as it does charm, silliness, and an abundance of pink.
In this report from NYAFF, Lee Jutton takes a look at Mountain Onion, Nomad and Mountain Woman!
In her latest report from The New York Asian Film Festival, Lee Jutton reviews Bear Man, Kitty the Killer and I Love You, Beksman!
Too often dry in its narrative construct, audiences will find little emotional investment in The Miracle Club.
The NY Asian Film Festival provides movie lovers in the tri-state area with a great opportunity to see films across a wide range of genres.
Polite Society does have its flaws, yet the heart of the film shines so bright, it is easy to overlook them.
Dead Reckoning Part One is a vigorous dose of action filmmaking at its finest.
The Out-Laws is a workable piece of entertainment, yet will struggle to be a film audiences remember after its release.
Fueled by brilliant performances and Petzold’s typically masterful storytelling, Afire will continue to smolder in the depths of your mind.
Wilson Kwong dives into two films that are interesting examples of dramatic French cinema with clear commercial appeal.
Have You Got It Yet is a vulnerable and intimate look at the rise of a band and the fall of a genius.
This series comes back for a season two with an entertaining entry that shows an improvement over the first both in writing and performances.
Ruby Gillman, Teenage Kraken doesn’t make a huge splash, but it does tread well enough to be an enduring animated film for those still in the kiddie pool.
Asteroid City is stylistically undifferentiated from most of Anderson’s recent output but it does take the audience behind the curtain.
From Fantastic Mr. Fox to The French Dispatch, something strange and different happens every time and Asteroid City is no different.