2023
Hell of a Summer is a campy blast of a film, blending the nostalgia of 80s camp slashers with coming-of-age teen comedies.
Waiting for The Light to Change is a snapshot of Gen-Zers and the anxieties of the times.
Stories about college professors are popular at this year’s Toronto International Film Festival, with both Hit Man and Dream Scenario being examples.
Killers of the Flower Moon isn’t just a historical tale but a profound and subtle commentary on history, humanity, and the power of storytelling.
Unfortunately, every single second that came before the ending in Alice & Jack was terrible.
Youth (Spring)’s 3-plus hour length is not only necessary, but an absolute gift to sit through.
A Haunting in Venice is a new direction, going for something more creepily claustrophobic, but doesn’t quite nail the landing.
The 2021 Bafta-nominated short film Femme from Sam H. Freeman and Ng Choon Ping is now a feature, premiering at several film festivals.
Capturing the beauty of everyday life, Here is a beautiful exploration of humanity and our quest for understanding.
While Perfect Days is minimalistic and quiet, almost to a fault, Les Indésirables is a bombastic cinematic experience.
Love At First Sight does retain a predictable nature, but by the film’s end, you will want the predictability.
For the 2023 Toronto International Film Festival, Wilson Kong reviews Craig Gillespie’s Dumb Money and Margreth Olin’s Songs of Earth.
The Royal Hotel is at times a tense and engaging thriller with poignant performances, but sometimes its message feels muddled.
Helgeland writes and directs Finestkind with all the right intentions, but it ultimately feels shallow.
What better way to infuse a rom-com than with the unconditional and irresistible love of dogs? That’s what Puppy Love seeks to do.