Anna Kendrick directs and stars in the ridiculous true story of a serial killer who won a date on a TV game show mid-killing spree in “Woman of the Hour.”
Despite its issues, I find the movie an uncomfortably entrancing tale of desire, one that I will continue to return to for years to come.
Sisi & I is a worthwhile look at her life through the eyes of another, even as it suffers from comparisons to similar work.
Family Portrait captures the underlying sense of menace seeping into the monotony of everyday life that characterized the early days of the pandemic.
Robert Schwentke’s German film “Seneca: On the Creation of Earthquakes” is the latest movie in which John Malkovich gets to yell at people.
All these errors in execution aside, Green Border should raise international awareness of what’s happening to these refugees on the European border.
Mars Express finds the right words and plucks the precise emotional heartstrings to make such a film more meaningful.
A powerful and poetic debut feature, Banel & Adama signifies Sy as an exciting young artist to watch in world cinema.
Even with as slow and frustrating as the first half of it was, New Life was still a fun watch.
The Beast is about a man beset with loneliness and fears of a fatalistic event likened to an unseen beast haunting him.
Limbo is a fish-out-of-water tale in a barren Outback town.
Femme is both mean and tender, displaying how sexuality and secrets can keep ones real self in violent confrontation with one’s masked self.
One of the most painfully lovely films of last year, Monster is a moving reminder of the importance of empathy and understanding.
Late Night with the Devil will leave you speechless by film’s end, unable to verbalize how you feel or what you are seeing.
Society of the Snow delivers a powerful narrative that transcends the screen, prompting audiences to contemplate the depths of human endurance.