2023
Despite its inconsistent storytelling and wooden performances, Night of the Harvest offers a certain charm that inspires appreciation for filmmaking.
Tuesday was a beautiful and moving film, if you haven’t seen it, you need to and you need to tell five friends to do the same.
The Melbourne International Film Festival is in its 72nd year with a program of global features, shorts, documentaries, VR experiences, and classic movies.
Red Rooms is hypnotic, eerie, enticing, and undeniably repulsive, a procedural with the stifling rhythms of an addiction story or a dream.
I’ll Be Right There showcases family drama and how, within that drama, there can be something to laugh and feel good about.
Anna Kendrick directs and stars in the ridiculous true story of a serial killer who won a date on a TV game show mid-killing spree in “Woman of the Hour.”
Sisi & I is a worthwhile look at her life through the eyes of another, even as it suffers from comparisons to similar work.
Family Portrait captures the underlying sense of menace seeping into the monotony of everyday life that characterized the early days of the pandemic.
Robert Schwentke’s German film “Seneca: On the Creation of Earthquakes” is the latest movie in which John Malkovich gets to yell at people.
All these errors in execution aside, Green Border should raise international awareness of what’s happening to these refugees on the European border.
Mars Express finds the right words and plucks the precise emotional heartstrings to make such a film more meaningful.
A powerful and poetic debut feature, Banel & Adama signifies Sy as an exciting young artist to watch in world cinema.
Even with as slow and frustrating as the first half of it was, New Life was still a fun watch.
The Beast is about a man beset with loneliness and fears of a fatalistic event likened to an unseen beast haunting him.