2022
If all you want to do is go back in time and see these bands performing when they were at the peak of their powers, then Meet Me in the Bathroom certainly gets the job done.
This is a series that really elevates in its dialogue and writing, but is sold by amazing performances from Domhnall Gleeson and Steve Carell.
An impeccably crafted puzzle box of a film, Decision to Leave cements Park Chan-wook’s place in cinema as our modern master of suspense.
Despite the prestige of those involved in the project, Hilma is far too ordinary a film to do justice to such an extraordinary subject.
The Banshees of Inisherin is one of Martin McDonagh’s greatest and most assured efforts as a filmmaker yet.
Utama is a powerful, intimate work, and Grisi achieves a rare balancing act.
Hulu’s Grimcutty is a creepypasta made tangible, a horror tale with much more going on than your standard monster movie or slasher.
Hocus Pocus 2 is like pulling out that year-old candy from last Halloween and being mildly surprised it doesn’t taste that bad.
Amusing humor and a very entertaining performance from The Rock consolidate Black Adam as one of the strongest DCEU outings.
Lee Jutton is back with two more films from this year’s New York Film Festival, with reviews of The Novelist’s Film and Walk Up!
While Terrifier 2 lacks some of the tension of the original, this long, surreal sequel makes up for it with scene after scene of showstopping gore.
In our latest report from the 2022 Toronto International Film Festival, Faisal Al-Jadir reviews Venus, Sisu and Viking!
The first 90 minutes of David Gordon Green’s Halloween Ends easily outweigh most of the films that have come before it.
In our latest report from the 2022 Heartland International Film Festival, Emily Wheeler reviews Dear Zoe, Corsage, Close and Me Little Me!
Featuring incredible performances all-around, and some of the best writing you’re going to see this year, The Banshees of Inisherin not one to miss.