2022
Violent Night is a worthy addition to the Christmas action-comedy lineup, but its sizable helping of blood and gore isn’t enough to make it truly stand out.
An impressively designed, luminous jungle and an emotional story about parenting and legacy allow Strange World to blossom as a strong entry for Disney.
Ponniyin Selvan: Part I is fun and brisk, setting a higher standard for Indian literary adaptations.
A Gaza Weekend is a timely parable that extends an open invitation to empathise with the “other”.
From this year’s CinefestOz Film Festival, Alex Lines reviews Transfusion, Sweet As, and Seriously Red!
Summoners, a new film by Terence Krey that premiered in October at the Brooklyn Horror Film Festival, is a tale of two witches reuniting.
While Wednesday is not without its flaws, this young adult rendition of the Addams Family eldest is both entertaining and intriguing.
The Menu is a masterfully dark comedy severed extra vicious and deviously delicious.
A Friend of the Family features some of the best performances and filmmaking on television this year, but it’s also a relentless nightmare to take in.
While suffering from exhausting connections to the ever-expanding MCU, Black Panther: Wakanda Forever is an emotional tribute to Chadwick Boseman.
A Star Without a Star comes off as the epitome of a labor of love many years in the making.
My Neighbour Adolf had within its DNA the potential for something good, but alas an inability to strike a consistent tone means the talents of its stars.
The Killing Tree had the potential to be an over-the-top Holiday horror classic, but the practical effects moments are overshadowed by bad CGI.
Film Inquiry spoke to writer, director, and historian John Mulholland about his new documentary: Inside High Noon.
Something in the Dirt is proof that massive amounts of ingenuity and invention can still be found in the movies…that is, if one knows where to look.