2022
Manticore uses a delicate manner and touches on topics that make us feel uncomfortable, posing extreme situations.
Malignant embraces the true cult sensibility that M3gan only gestures to, serving up a wildly entertaining and singular cinematic experience.
Despite running a mere 72 minutes, Jethica’s story comes full circle in a way that feels incredibly satisfying — so really, what do you have to lose?
For all of its innovative mythology, humorous story beats, and well-fleshed-out characters, it plays as a bit of an oddity compared to a typical ghost story.
While Sick may not be the grade-A horror film it wants to be, it is an enjoyable watch, with a few surprises, and some great visual creations.
In our latest report from the 2023 Sundance Film Festival, Kevin L. Lee reviews two Australian horrors – Run Rabbit Run and Talk to Me!
Deeply layered and nuanced, Blood finds the life line of horror and harnesses it for an experience that satisfies, and has you craving to return for more.
2022 was quite the year for horror cinema, and “Smile” takes the cake as a particularly horrifying look at how trauma endures.
Wildcat, despite all its good intentions of stringing together the ‘beautiful’ parts of life, it remains disappointing in keeping those terrors distant.
Several nymphomaniac women at an addiction recovery retreat experience different ways of coping with confronting their conditions.
A masterpiece, Door Mouse is a slick neo-noir that adds a lot to a genre that we don’t get enough of.
Alice, Darling could do with some whittling down, but many of the details make the film a needed testament to an under-explored experience.
With Saint Omer Diop has delivered one of the most powerful and personal films of the year.
Broker may not reach the heights of its predecessor, but it is a lovely depiction of a found family brought together in the strangest of ways.