2022
David Albert Habif’s “Still Human” is an exceptional documentary tackling social problems such as homelessness, poverty, and wealth disparity.
Winter Boy would benefit a lot from leaning into its heartbreaking premise, but the tasteful melodrama is perhaps still considered too passé.
A sprawling tale that crosses multiple genres, Trenque Lauquen is at its heart about a woman trying to find herself.
Inventive and enchanting, once Wittman’s Human Flowers of Flesh takes hold it becomes clear what the film is.
Fans of Murakami’s inimitable style will be pleasantly amazed at how well Blind Willow, Sleeping Woman brings his magical world to life.
“Leonor Will Never Die,” from director Martika Ramirez Escobar, is a movie pure in heart even when it falters.
How to Blow Up a Pipeline addresses climate catastrophe from the perspective of a generation intimately and agonizingly familiar with its presence.
On this Inquiring Minds, we take a look at Monolith & The Cow Who Sang A Song Into The Future!
Film Inquiry spoke with Daniel Goldhaber, one of the most exciting filmmakers to be working in cinema recently!
If there was one theme running through the 2023 New African Film Festival, it was that of an increasingly desolate economic landscape.
There was a movie here but somewhere along the way it got buried in vitriol and forgot to be entertaining.
Stalker dared to be better than just, “good.” It was great and kept me guessing throughout the entirety of its 90-minute runtime.
Some films aren’t able to spend millions of dollars on 60-second television ads and it’s up to real movie lovers to get the word out. Watch Enys Men.
The Worst Ones asks some very complex and compelling questions about the ethics of filmmaking and the emotions of young actors.
Whilst some of Winners references and statements might not be evident to those unfamiliar with Iranian cinema, it has themes that are universal to all.