2022
Coupled with strong performances and talent behind the camera, All of Us Are Dead is a binge-worthy venture.
Free Chol Soo Lee tackles many subjects, but the way that it puts Chol Soo’s story and his tragedies front and center is exceedingly effective.
Tiktok, Boom looks at the general landscape of social media. Shalini Kantayya’s documentary explores widely but rarely dives too deep.
In our latest report from Sundance Film Festival 2022, Wilson Kwong reviews Fresh and Worst Person in the World – both films demanding attention.
While not perfect and often lacking the emotional punch one might expect, ED Perkins’ uniquely minimalistic approach makes it an interesting experience.
While not essential viewing, the film is a successful directorial debut by Jesse Eisenberg.
Scream is a knock-out success, showcasing the power horror inductions can still wield through modernization and an honoring of the past.
While filled with gorgeous shots of the desert landscape, Borrego fails to engage its audience.