2022
I Like Movies manages to strum all the right cords in a truly unique celebration of cinema itself.
King On Screen is one hell of a trip down Stephen King cinema memory lane.
Prey offers an excellent example of less being more, especially in a series long known for its over-the-top dialogue and gory violence.
The Mire was a fantastic, tense ride that doesn’t rely on action set-pieces or flashy effects to draw your attention.
Lofty in ambition yet flawed in realization, LOLA is nonetheless an intriguing cautionary tale experiment in lo-fi science-fiction.
In her latest report from The New York Asian Film Festival, Lee Jutton reviews Bear Man, Kitty the Killer and I Love You, Beksman!
Bad Girl Boogey may not be a great film but it has the ambition and heart to pursue a whole new lore.
For those with a nihilistic sensibility, there will be solace in the nothingness that comes from Smoking Causes Coughing.
The NY Asian Film Festival provides movie lovers in the tri-state area with a great opportunity to see films across a wide range of genres.
Morbius was a double failure at the box office because its lead is boring, its plot is derivative, and its marketing tried its damnedest to trick audiences.
Dial of Destiny is not perfect, with noticeable flaws, but it is also very entertaining, exciting, and well-acted.
The Stranger has many surprises and very clever narrative journeys, managing to build an atmosphere of suspense with very few and wisely used resources.
Lynch/Oz is a very film 101 documentary, one which aims to open doors for the performer, lover, and cinema enigma that is Lynch.
Human Flowers of Flesh is just as enticing for anyone who has or hasn’t seen Beau Travail.
Revoir Paris is not an easy film to watch, but the emotional journey is a gratifying one.