2022
This entry has longer than usual episodes, making this part a deft delivery of the finality of what has been a real significant part of TV life and culture.
In Crimes of the Future, the horrors and beauty of the human anatomy, both inside and out, are a work of grotesque art and performance.
Cannes Film Festival 2022: Alice Winocour’s PARIS MEMORIES is a Mature Study of Violence and Healing
Paris Memories was the final film I saw at the fest and in its quiet, assured way, was one of the most satisfying.
The Bob’s Burgers Movie plays well for both fans who want more of the show’s antics and new viewers who are looking to get acquainted with the characters.
Showing that love, life, and relationships are imperfect, Mark Schwab’s Brotherly Lies is a gripping indie drama about regret, desire, and trauma.
Amidst a sea of dull, insipid, even sadistic takes on the beautiful, suffering royal lady story we’ve seen, Corsage breaks like the sun through the clouds.
Torn Hearts’ excellent female-led cast lead a fun, campy, psychological nightmare showing that the music industry can be killer.
Unfortunately, Men starts as a very strong and legitimately scary exploration of heady issues but unravels in the final third act.
One thing that is true about Everything Everwhere All At Once: you’ve certainly never seen something like this before.
Where many have found immense success within the genre, Emerson Moore’s “Escape the Field” will be a film that falls quickly from memory.
Doctor Strange in the Multiverse of Madness is one of the messiest, most chaotic Marvel movies to date.
In the finale, ”Blank Spaces” wraps nicely giving brief ends for each of its characters.
The Girl from Plainville’s “Teenage Dirtbag” leaves viewers with a lot to question and think about, maintaining a basis for conversation.
In her final report from the 48th Annual Seattle International Film Festival, Bailey Jo Josie shines a lot on documentaries.