2022
The Day the Music Died: The Story of Don McLean’s American Pie goes into the mythology around the song that runs deep and wide, resonating with so many.
At its core, Where the Crawdads Sing is an examination of abandonment and loneliness, as well as survival within the unrelenting naturalist circle of life.
The Princess is a bloody, action-packed adventure, that while entertaining, lacks the depth it had originally promised its viewers.
Even with this rushed ending and various bumps in the road, Persuasion proves itself a modest adaptation that, while not the best, is sure to entertain.
By time-traveling Beavis and Butthead to the future, it forces the cultures of past and present to have to confront each other’s stubbornness.
There’s a lot to take away from Hallelujah: Leonard Cohen, A Journey, A Song, including, most importantly, a better understanding of the artist himself.
Whether you’re a wine aficionado, an advocate in the fight for climate change, or just a fan of documentaries, this film will be worth your time.
While not the worst Thor film, Love & Thunder has a lot of potential in its fantasy adventure but rarely rises to become a worthy sequel.
Brian and Charles feel like such a British invention; however, its themes and its heart are universal and large.
The Rwandan-American neon-brushed Afrofuturist musical Neptune Frost is a film radiating with vigorously sensible energy and insight.
Lacking horror and empathy, Abandoned is film that should be just that – abandoned.
With only eight episodes, most a half-hour, The Bear is a funny, tense, and riveting binge.
There’s no arguing about how incredibly, wildly, and gleefully gay Jackass is.
Despite solid source material in George Saunders’ short story, Spiderhead is a visually inert misfire and one of director Joseph Kosinsky’s lesser works.
The musical performances in Elvis will obviously be a major draw but the stellar performances make it all the more intoxicating.