2022
In her first report Kristy Strouse reviews Fixation, Aristotle & Dante Discover the Secrets of the Universe and Patrick and the Whale!
Film Inquiry spoke with Darlene Naponse director of the TIFF22 film Stellar!
All the Beauty and the Bloodshed is vibrant and incisive as a portrayal of art’s power in both directions.
Even if you can predict where the narrative goes, there is no denying that The Inspection carries a powerful story with an emerging voice of talent.
Big stars giving wacky performances in a Mediterranean locale is essentially all one needs to know about Glass Onion.
Clerks III may not have the best laughs of the trilogy but certainly has the most heart amid its sentimental nostalgia.
While the North of Normal and Victim both revolve around motherhood, its central protagonists could not be any more different from one another.
In the first report from the 2022 Toronto Film Festival, Soham Gadre reviewed Triangle of Sadness, Pacification and De Humani Corporis Fabrica!
Flexing his filmmaking prowess here, Clement Virgo’s Brother is a striking example of narrative storytelling that reaches a high emotional altitude.
In our first report from the Melbourne Film Festival, Sean Fallon reviews Saloum, Dual, Shadow, The Integrity of Joseph Chambers and The Pez Outlaw!
Luca Guadagnino’s Bones and All is a monumental statement on the beautiful powers of love bolstered by great performances.
It’s hard not to muse over whether any other performer this year can top what Cate Blanchett does in Todd Field’s Tár.
It’s hard to imagine Noah Baumbach making a film about an apocalypse, yet this enigma-raveled concept perfectly encapsulates White Noise.
House of Hammer’s project is to re-centralize the voices of the women who were harmed not only by him but by multiple generations of the Hammer family.
Purple Hearts stands as a viable romance venture that is sure to pull at your heartstrings while delivering a platform of conversation for modern struggles.