2022
While Don’t Worry Darling has some very good perks it ultimately tries to work with too many ideas without giving them one direction.
Mobile Suit Gundam: Cucuruz Doan’s Island transforms a forgotten Gundam episode into one of the most exciting Gundam movies ever.
Living with Chucky welcomes newcomers into the fold, encouraging a new generation to embrace the revitalization of Chucky.
It all started with Brian de Palma’s Carrie, and Stephen King became a household name.
The Woman King is a powerful tale of sisterhood and freedom; freedom from patriarchal influences, freedom from slavery.
While The Other Side of Things succeeds as a love letter to the American Dream, it does not succeed as a film, feeling more like an advertisement.
While Student Body might not scare the average horror fan, it’s a good reminder of the untapped potential of how much sheer terror mascots can contain.
With a lack of dramatization in the story, Empire of Light only has its fantastic performances and technical components to keep it afloat.
Sarah Gadon has always had a keen eye for interesting roles, and she keeps that streak going with her portrayal of an imperfect mother in North of Normal.
Major studio productions often use TIFF as a launching pad for large theatrical releases, and this year is no exception with The Menu and Bros.
Though it falls into some psychological thriller tropes, Baby Ruby gets its message across thanks to a phenomenal performance by Noémie Merlant.
In this report from the 2022 Toronto Film Festival, we look at two movies featuring some of the most intriguing lead actors working in the industry today.
Few movies at this year’s Toronto International Film Festival seemed to elicit as much division among viewers as The Whale. T
Do Revenge was a pleasant surprise, entertaining from start to finish.