2021
A beautiful film that reminds us that the personal is always political, Great Freedom will fill your heart even as it breaks it.
With a tightly paced narrative and engaging characters, Huda’s Salon has more than just thrills to deliver.
Andrea Arnold’s poignant documentary Cow is doused in transparency and truth – the hardest pill to swallow.
A crazy, colorful film, Strawberry Mansion is worth a visit, even if at some points it seems on the verge of collapsing around you.
Even watering down some rather interesting character dynamics, Sing 2 adds more of everything, the good and the bad.
With Seobok: Project Clone, it’s all too easy to be emotionally invested in their journey together, even in such an altogether generic film.
We are Living Things crafts something beautiful, even when it’s hard to adjust to.
While elements of the setting and story may feel hauntingly familiar, Fabian: Going to the Dogs is a striking, singular film nonetheless.
It is not only a love letter to the passion exhibited by its subject, but an encapsulation of an inspiration that still lives on today.
There is much to take in when watching, its final reveal an unsuspecting twist, yet seemingly not as powerful in retrospect as one would have hoped.
Poly Styrene: I Am A Clichè keeps her legacy alive, while also recognizing that behind the iconic music and photos she was a real, flawed woman.
In his final report from Sundance Film Festival, Wilson Kwong reviews Happening and Girl Picture.
Last Survivors may fade to the recesses of your mind, but for a moment it may make you reevaluate your own idea of survival.
Kogonada’s science fiction drama set in a world of robotic children stars Colin Farrell, Jodie Turner-Smith, and Justin H. Min.
While crafts a uniquely haunting atmosphere, The Laureate focuses too much on its plot and not enough on the unique personalities of its characters.