2021
Roy is a solid debut, but ultimately it is neither good nor bad: overall, it is a fine beginning.
As a portrait of the scientific process, Fathom is a fascinating watch.
Sexual Drive has its moments, but you’ll likely find more satisfaction in a bowl of that fatty ramen than you will in this undercooked film.
As lighthearted as it is deep, Marvelous and the Black Hole is a film I can not recommend enough.
Join Bailey Jo Josie for her first report straight from the 48th Seattle International Film Festival with River and Spin Me Round.
Schoenbrun utilizes the hyper-specific language of the Internet—in particular, the dark world of creepypasta—to weave an engaging and frightening tale.
Even if you don’t remember Greece’s triumph at Euro 2004, you’re guaranteed to be moved by King Otto.
Good editing or not, Corwin’s impressive, ambitious work in Don’t Look Up is at least highly expressionistic and motivated.
While the focus and ingenuity lessen as the underdog formula takes priority, the talented cast and their chemistry vitalize the absurdity.
The Sacred Spirit hooks you with its moody, deceptively elusive presentation brilliantly structured with a tactful eye for detail.
My First Native American Boyfriend is a chance to provide Native audiences a form of catharsis, a chance to have their real-world experiences represented.
Belfast is a film that will creep into the recesses of your mind, its upbeat music and deeply rooted examination of family and the journey unforgettable.
I Am Here is not a perfect film, but it accomplishes what it sets out to do, which is to allow the world to honor Ella Blumenthal and share her story.
This was inevitable. When I originally concluded this column, nearly six months ago (coinciding with…
In the end, more of a thriller than a deep thought piece, Asking for It will leave you asking for more