2021
Mad God bursts and spews onto the scene in absolutely take-no-prisoners fashion and has steadily placed itself close to the top of the pile as one of the best movies of 2022.
While the Boston movie itself seems to have gone the way of the Western, the appeal of its core themes, and its sensibility seems to remain.
Combining found footage, family photographs, and Karim Ainouz’s own camerawork, Mariner of the Mountains is a brilliant mix of family history and origins.
Acid Test has its moments of realistic, memorable coming-of-age storytelling even if the film’s stories don’t always blend.
With two fascinating lead performances, wonderful music, and Logan Floyd’s hypnotic cinematography, there’s a lot about Poser that is worth checking out.
Keeping Company weaves a critical look at society, greed-fueled power and consequence of capitalism while crafting a film that delivers humor and horror.
A thought-provoking exploration of morality and mortality divided neatly into two parts, Miracle isn’t clear-cut or easy to comprehend, but it is compelling.
Once you remove the explicit content, there’s not that much about Pleasure that is truly revolutionary, or even rebellious.
Dan Mirvish explores the mystery of the biggest political scandal in history through 18½, an engaging, quick-paced, and wonderfully comedic thriller.
Mondocane would be a much more entertaining film if one wasn’t struck by the strange feeling we’ve seen most of this before.
Montana Story is a film that tries to do a bit too much, but a pair of great performances and a core story makes it worth looking past its faults.
Vogt’s decision to not pull any punches is a large part of what makes The Innocents such an effective horror film.
What were some of the best film scores from last year? Here we take you through the frontrunners!
Black Box as a whole will keep viewers engrossed and unsure, its unpredictability and weaving mystery an entertaining venture.