2021
Kristy Strouse reviews the campy action fantasy, Prisoners of the Ghostland, and spoke with star Bill Moseley.
Here there’s no such thing as taboo – and that, in the end, is the beauty of Jerrod Carmichael’s directorial debut On the Count of Three.
In her second report, Kristy Strouse shares three more films that she adored, all very different, but each with fantastical elements.
In his first report from the 2021 Sundance Film Festival, Wilson Kwong reviews R#J and First Date from the festival’s NEXT program.
While the movie could’ve been a little deeper, Censor is nevertheless still a solid debut from Bailey-Bond.
One for the Road proves further that Baz Poonpiriya is one the most exciting Asian filmmakers working today.
The Little Things wants to be a movie absorbed in its meticulous clues and details, yet stumbles over itself at nearly every possible moment.
Kate Tsang spoke with Film Inquiry about her film Marvelous and the Black Hole premiering at Sundance Film Festival 2021.
Erin Vassilopoulos spoke with Film Inquiry about her film Superior during its premiere at Sundance Film Festival 2021.
From adult animation about cryptids to thrillers, in her first report from The 2021 Sundance Film Festival Kristy Strouse gives us her first three reviews.
The performances Siân Heder draws from her actors always hits the right note that it’s nearly impossible for you to not fall in love with this movie.
Malcolm & Marie isn’t a terrible film by any means, but it’s undoubtedly a bewildering mess that collapses under its own weight.
This is a series that shows its cards right in the title; it’s about the hunt. And it’s an unforgettable one.
Locked Down was definitely a surprise success, delivering unsuspecting nostalgia and examining the freedom of anarchy.
The Dig finds a good old tale of British excellence but never quite brings it to life failing to avoid trite pitfalls along the way.