2021
Boss Level might not break new ground, but it’s throughly entertaining and worth watching at least once, if not time and time again.
While on the outside it seems like Memory Box tells a familiar story, it’s an introspective, affecting, and visually inventive film.
Though bloated at times, The Sinners is a deeply layered and nuanced film that finds as much strength in what is not discussed as in what is.
The United States vs. Billie Holiday is multilayered and nuanced in its messaging, brought to life on the strong performance of Andra Day.
If the clause “write what you know” is to be taken literally, then Kerry Mondragon fits the bill with his feature debut Tyger Tyger.
Irresistibly charming, I’m Your Man needs no beeps and boops and tiring gimmicks to convey the abyss between man vs machine.
Full of unfunny human characters and a plot that doesn’t even involve its iconic animal characters, Tom & Jerry is a gross miscalculation.
My Wonderful Wanda is a fun film with moments of genuine humour and insight making make it worth the watch.
Creation Stories will appeal most to those with an interest in 90s pop culture as it is unabashedly content to revel in those memories.
What we’re given is far more surface-level than it should be, and unfortunately doesn’t add as much to the conversation as it perhaps thinks it does.
Brivik spoke with Film Inquiry about his involvement in Wild Indian during its premiere at the 2021 edition of the Sundance Film Festival.
Like its title suggests, it is a peculiar tale that lives on its frustrating evocation of the ambiguity of love.
While Alice Fades Away maintains your attention, there is a certain spark missing throughout its core, leaving it enjoyable but far from memorable.
Wilson Kwong spoke with Natalie Chao at the 2021 Sundance Film Festival about her documentary To Know Her.
Berlinale 2021: BAD LUCK BANGING OR LOONY PORN
Right from the opening beat, it is clear that Radu Jude’s satirical Bad Luck Banging or Loony Porn is in to shock its audience.