2021
Musanna Ahmed spoke with co-directors Bradley Bell and Pablo Jones-Soler about their film Alone Together, quarantine, marketing plans and more!
While Godzilla vs. Kong is by far the best installment of this rebooted franchise, the MonsterVerse could still learn a few lessons from its forerunners.
With a narrative full of precious highs and vulnerable lows, Introducing, Selma Blair is a raw, honest account of one celebrity’s journey dealing with MS.
Film inquiry had the chance to speak with Vaughn Stein, the director of Every Breath You Take, a deep character study in disconnected yet shared grief.
While a bumpy ride to the end, it is an intriguing character study that examines grief and loneliness while infusing intensity and thrills.
From its terrifying opening all the way to its devastating ending, The Fallout deserves immediate attention.
Even the successes can not push the film beyond one of its biggest flaws – it seems to be in a constant battle with itself on what it wants to be.
Kevin L. Lee reports back the latest from SXSW 2021 with Here Before, The Spine of Night, and Broadcast Signal Intrusion!
Kevin Lee spoke with writers and directors Philip Gelatt and Morgan Galen King about their film The Spine of Night and more!
Allen v. Farrow – from the first episode to the last – has been an exercise in biased reporting, never representing both sides of the argument.
Even though I can feel everything is well-intentioned, little to none of it resonated. Thy movie is amiss.
Episode three of Allen v. Farrow focuses on the allegations against Allen by a young Dylan Farrow and two seperate investigations into it.
A sturdy but familiar entry, Nobody hews so close to standards that it brings the whole genre into question.
In his first report from the 2021 SXSW Film Festival, Musanna reviews Kid Candidate, WeWork and The Lost Sons!
Based on the 1892 Charlotte Perkins Gilman short story by the same name, The Yellow Wallpaper is a thriller that stumbles with uneven performances.