2021
Paul Negoescu’s Two Lottery has a funny enough premise with a cast that knows how to play to one another’s strengths.
Fans of Snyder will undoubtedly find value in it, with moments where the director is allowed to play to his strengths, but they’re far and few between.
Despite its immense charm in its animation, music and characters, there are vital story elements in Arlo the Alligator Boy that are lacking.
There are some fine performances and strong scenes here and there but the editing darts between so many stories that it’s just begging for a fan cut.
The Underground Railroad is so much different than anything Jenkins has ever worked on before; it’s grander and more ambitious, it plays with magical realism to a brilliant result
In a transformative paranoia and confined space, The Woman in the Window may not be the best remake of a classic tale, but it is far from the worst.
While it may not be as ambitious or as deep as it could have been, it is an exciting genre film with a charismatic performance from Angelina Jolie.
RK/RKAY is a highly innovative and well-crafted film that demonstrates Rajat Kapoor’s creativity, intellect, and mastery.
The Paper Tigers is an enjoyable action comedy exploring the different ways people change over time and the importance of protecting your family, be it blood or bond.
Wrath of Man fails to make the most of an inventive story structure and a typically solid Statham performance, smothered under layers of bland masculinity.
From this years South East European Film Festival Los Angeles, Kristy Strouse reviews Mare and Cream.
With a shift to basketball, the new season of Last Chance U is a journey into the lives of student-athletes hoping to achieve their goals.
Delivering solid and unforgettable performances from Glenn Close and Mila Kunis, Four Good Days is brilliantly done, and quietly effective.
Shannon Walsh’s documentary: The Gig is Up, paints a simmering, sobering picture of the global gig economy.
The final moments of the film do work, but are ultimately not worth sitting through the slow-pace, bad jokes, and exposition-laden dialogue.