2021
In the Heights follows a small corner of individuals as they face gentrification, immigration, and acceptance of self during the summer’s hottest days.
In Pray Away, viewers are led into the minds of those who founded, lead, and propagated one of the biggest conversion therapy developers.
Framed has just the right amount of suspense, drama, and romance to make it work, with a wonderfully written dialogue.
While Accepted examines the rise and fall of TM Landry, it’s also a multilayered look of the environment children are thrust into.
Led by stellar voice-acting and an endless amount of charm and youthful spirit, Luca is Pixar’s simplest movie to date, but it’s simple done right.
Ryan Reynolds, Samuel L. Jackson, and Salma Hayek return in the crime-comedy, The Hitman’s Wife’s Bodyguard.
Referencing and reminiscent of horror films that have come before, See for Me does not live up to its inspirations.
The Dose is a subtly taut psychological thriller from Martin Kraut, detailing the ethics of euthanasia through male rivalry.
The Conjuring: The Devil Made Me Do It is a different breed of horror, but is still just as beautiful and engaging.
John Krasinski’s A Quiet Place Part II fails to live up to the expectations and high standards that the first movie has established.
Kirby Voss’ We All Think We’re Special is an intensely authentic and palpably distressing drama about the pains of addiction.
A winning teen comedy with star-making performances from its two leads, Plan B has plenty of fun and heart to offer.
Film Inquiry sat down to talk with filmmaker Danielle Lessovitz ahead of the release of her new film, Port Authority.
Cruella is a welcome return to the good, dark, bold filmmaking that we haven’t seen in a long time from Disney.
Lisey’s Story is a miniseries of magic, both in what it explores universally, but also what it generates internally.