2020s
Good Trouble is bursting with inspiration powerful and essential, strong enough to be more than just a flowery portrait.
Father Soldier Son offers you the opportunity to see why people join the Army rather than padding the film with patriotism or criticism.
Hulu’s Normal People doesn’t just transform sorrow into an affecting narrative; it creates beauty out of it.
The Rental may lack a traditional killer, gore and even an ending but it’s a delicious tale of betrayal and paranoia.
Irresistible seems too afraid of being part of the noise to pull those kinds of punches, and that costs the film some urgency.
Showbiz Kids is a fascinating look at the life of child actors and offers unusual insight into the world of acting.
Spy Intervention doesn’t give much in terms of laughs, but a few moments, give life to an otherwise dull film.
Combined with Cianfrance’s ‘addiction’ to this story and the intimacy of the acting, I Know This Much Is True creates a palatable amount of realism.
Greyhound passes by as a monotonous series of skirmishes that never feel that threatening, even when boats are exploding around them.
While missing opportunities along the way, A Whisker Away makes up for it with its stunning original art and world of humanoid cats.
Gather In The Corner works well as a subtle satire on school safety, while also being a light-hearted watch.
Despite a satisfying ending, Amulet’s messy timeline and uneven pacing prevent it from reaching the greater heights that could have been.
Bloody Nose, Empty Pockets is an immersive experience to say the least. It’s a bold cinematic achievement and fine work of deception.
Mucho, Mucho Amor: The Legend of Walter Mercado felt like it was a documentary stuck between a rock and a hard place.
The Fathering Project turns passion into poetry in the pursuit of finding what it means to be a father in today’s society.