2020s
Even when things get very strange, Charlie Kaufman’s I’m Thinking of Ending Things will always find a way to hook you in and never let go.
While frequently animated and wry, Words on Bathroom Walls persists on being realistic with its portrayal of schizophrenia.
Far from the dumpster fire many feared, The New Mutants is a much more mundane disappointment: a near miss.
#Unfit is a timely and vital documentary on the nature and presidency of Donald Trump.
Yankee won’t be a film that pleases everyone, but its flaws don’t necessarily tarnish what is an otherwise solid effort from a budding filmmaker.
Cetigrade is a chilly thriller that never turns up the heat, leaving the audience with little reason to chill with the imperiled couple.
Wilson Kwong spoke with director Alex Prieur-Grenier about his film 2011, premiering at Fantasia Film Festival 2020.
Lake Michigan Monster embraces strangeness as it affectionately homages sci-fi B-movies of the 1950s and silent comedies of the 1920s.
Class Action Park explores the dark side of childhood as it covers the legend and legacy of the infamous Action Park.
Unhinged attempts to evoke the fears and stress of living in our modern times, yet it mostly remains stuck in first gear.
Through style, humor, and a dash of poignancy, the film does a good job of selling you on joining Arquette in his singular odyssey.
Despite its visual innovations and blockbuster decadence, Tenet finds itself submerged beneath Christopher Nolan’s lofty ambitions.
As we struggle to come to terms with the sins of our country’s past and present, Cut Throat City helps us to better see the sickness within our society.
Train to Busan Presents: Peninsula does not reach the heights of its predecessor, but it’s still a satisfying summer diversion.
Max Reload And The Nether Blasters attempts to bring back that 80s nostalgia with a modern-day feel.