2020s
Stephanie Archer had the opportunity to speak with the Francesco Giannini about his film The Hall.
Slim & I, one of the rare Australian features to sneak back into cinemas post-quarantine, delivers the history of Dusty Slim with a little cunning twist.
Rent-A-Pal succeeds in recreating its 90s aesthetic as it examines the videotape dating culture of the 1990s in this retro horror film.
As one of two films representing Iran in the 77th Venice Film Festival, Ahmad Bahrami’s The Wasteland wrestles with themes of class and race.
It’s a loyal, brave, and true re-telling of a Chinese ballad that was once successfully Westernized.
Opening the historic 77th edition of the Venice Film Festival, Andrea Segre’s Molecole is a haunting meditation on virus-lockdown Venice.
The Social Dilemma is a deeply compelling treatise on why we’re so addicted to our devices while arguing the crucial need for change.
Wilson Kwong spoke with McConnell during the 2020 Fantasia Film Festival, where he was just as honest and transparent as he was in his remarkable film.
Heightened by its mirroring of current events, The Hall is an incredibly exhilarating ride you won’t want to get off of.
Conviction is an intriguing and compelling real life crime story reflecting on the corruption currently being exposed in the American justice system.
Wilson Kwong had the chance to speak with director Bao Tran about his latest film The Paper Tigers and his unique journey as an independent filmmaker.
All things considered, A Mermaid in Paris is simply a joyful exploration of being a believer, in whatever context you choose to sew that thought into.
With Erik Nelson’s most recent documentary, Apocalypse ’45 is both a commemoration and an elegy that refuses to choose sides.
Even when things get very strange, Charlie Kaufman’s I’m Thinking of Ending Things will always find a way to hook you in and never let go.
While frequently animated and wry, Words on Bathroom Walls persists on being realistic with its portrayal of schizophrenia.