2020s
I Care a Lot subjects its audience to the devils whose company is never entreated, but whose dastardly dispositions are never without flair.
Chloe Zhao’s Nomadland surpasses the wildest expectations to become the first true all-around festival standout of the year.
For TIFF 2020, Stephanie Archer had the opportunity to interview director Nicole Riegel & actress Jessica Barden about their new film, Holler.
Charles Officer’s film Akilla’s Escape is an engaging and hypnotic look at a young man’s attempt to break away from a violent lifestyle.
Genuinely funny and made with a real passion for its heroes, Bill & Ted Face the Music is a most excellent addition to the franchise.
Michael Frank had the chance to chat with Amelia Moses about her latest film Bleed with Me, its beginnings, the disturbing imagery and more!
We Are Who We Are thankfully delivers on what it promises in an immersive coming of age drama from one of the greatest filmmakers of our generation.
Brutal in its subtlety, Língua Franca is a harrowing portrait of not only Trump’s America but also Duterte’s Philippines.
Apples is a gritty, subversive take on identity, memory and grief and an outstanding first feature from Greek director Christos Nikou.
Stephanie Archer had the opportunity to participate in a round table with director Jon Stevenson and cast members Wil Wheaton and Brian Landis Folkins about Rent-A-Pal.
There is a rare nature and rough surface to Holler that will resonate with audiences through the need for survival, perseverance and opportunity.
While it may not land as smoothly as it hopes for, what #Alive offers here is still refreshing, warranting the attention of its audience.
Film Inquiry chatted with Dinner in America’s director Adam Rehmeier about Mac Demarco, a good mixtape, and finding the right lead actors.
In our latest report from the Sheffield Doc/Fest 2020, Musanna Ahmed looks at Please Hold the Line and The Viewing Booth.
William Hopson create the perfect double feature with Hamilton and Amadeus through the shared focus of their antagonized protagonists.