2020s

London Film Festival 2020 SOUL
London Film Festival 2020: SOUL

Ultimately it can’t sustain moments in the same way as the likes of Inside Out, but it’s certainly worth investing time into.

NYFF 2020: TRAGIC JUNGLE: Modern Mythmaking
NYFF 2020: TRAGIC JUNGLE: Modern Mythmaking

There is much to enjoy about Tragic Jungle, but in the end, one is left hungry for something more than what the film actually is.

SHITHOUSE: A Cathartic Experience In Ugly Beautiful
SHITHOUSE: A Cathartic Experience In Ugly Beautiful

There is a cathartic experience Shithouse lends to its audience, a character study not so much in the characters themselves but character of emotions.

NYFF 2020: THE TRUFFLE HUNTERS
NYFF 2020: THE TRUFFLE HUNTERS

The Truffle Hunters provides a unique view into a world and an industry many have little knowledge and understanding of, delivered with heart and passion.

THE HAUNTING OF BLY MANOR: A Spooky & Heart-Aching Gothic Romance
THE HAUNTING OF BLY MANOR: A Spooky & Heart-Aching Gothic Romance

Mike Flanagan’s The Haunting of Bly Manor once again sees him revisiting an old horror text as a roadmap to explore human emotions.

SPONTANEOUS: An Offbeat Coming-Of-Age Tale Where Teens Are Prone To Explode
SPONTANEOUS: An Offbeat Coming-Of-Age Tale Where Teens Are Prone To Explode

Anchored by Katherine Langford in her best performance yet, Spontaneous will turn heads, churn hearts, and best-case scenario, blow you away. 

London Film Festival 2020: MOGUL MOWGLI
London Film Festival 2020: MOGUL MOWGLI

Daryl MacDonald covered Mogul Mowgli as part of the 2020 London Film Festival, which features Riz Ahmed in his most personal role yet.

BOOKS OF BLOOD: A Toothless & Uninspired Horror Anthology
BOOKS OF BLOOD: A Toothless & Uninspired Horror Anthology

The result is a bit of a mixed bag; the movie does indeed scream Clive Barker, but on the other hand, the new stories aren’t really that interesting.

NYFF 2020: THE WOMAN WHO RAN: Amusing, Awkward, Authentic
NYFF 2020: THE WOMAN WHO RAN: Amusing, Awkward, Authentic

With Hong at his most delightfully Rohmer-esque and Kim at her most effortlessly charming, The Woman Who Ran showcases humanity at its most authentic.

UNPREGNANT: Hilarious and Unapologetic
UNPREGNANT: Hilarious and Unapologetic

Though dauntingly ambitious on paper, Unpregnant grounds itself in sincerity and provides laughs in spades while remaining genuine and respectful.

ANTEBELLUM: A Failure Of Storytelling
ANTEBELLUM: A Failure Of Storytelling

Antebellum, for all it promises, fails on several levels to ever come full circle in its intent while only worrying about a failed twist ending.

How PEN15 Declaws The Asian Tiger Mom Stereotype On Screen
How PEN15 Declaws The Asian Tiger Mom Stereotype On Screen

What Pen15 has done is pave the way for more nuanced Asian or Asian-American-centered stories to be normalized onscreen.

Toronto International Film Festival 2020: PIECES OF A WOMAN: A Veristic Portrait Of Grief Bolstered By Its Star
TIFF 2020: PIECES OF A WOMAN: A Veristic Portrait Of Grief Bolstered By Its Star

Pieces of a is nevertheless chock-full of indelible moments; ones that help you ride out its harsher sequences with earnest warmth and genuine care.

POSSESSOR: A Brilliant, Blood Soaked Techno-Thriller
POSSESSOR: A Brilliant, Blood Soaked Techno-Thriller

Deep down, what Possessor offers isn’t just violence and shock value, but has real ideas about identity and capitalism.

HERB ALPERT IS... More Than a Man and His Trumpet
HERB ALPERT IS… More Than a Man and His Trumpet

In spite of its cutesy title, Herb Alpert Is… does attempt to flesh out the multi-faceted extent of his talents: then and now.