2020s
We Bare Bears: The Movie builds a fast-paced, fun world for a multitude of generations.
While Sno Babies has its flaws, it does drive home hard the messages of addiction – it is dark, it is ugly and it is hard.
While maybe too placid for some, those who allow themselves to sit back and absorb The Calming’s tranquil journey will be richly rewarded.
Anchored by a strong performance from Chloë Grace Moretz, Shadow in the Cloud is a ferociously entertaining thrill ride.
Reteaming with star Mads Mikkelsen, Thomas Vinterberg’s Another Round probes and explicates the psychological toll liquor can bear on us.
Wilson Kwong reviews Dusty Mancinelli & Madeleine Sims-Fewer’s Violation and Tracey Deer’s Beans as part of our TIFF 2020 coverage.
Feels Good Man should be required viewing, providing an excoriating insight into the rise of the alt-right and the underlying issues that propelled it.
A snapshot of malaise that goes on far too long, the movie soaks in mood when it should have floated through it.
Ratched returns Murphy to his deliciously horrific TV roots, bringing the origin of an iconic character to life for a new generation.
Limbo is nothing short of sublime, a triumphant feat of storytelling as striking in its visuals as it is in its writing.
A perfectly timed film that corresponds intimately to the social issues we are living through, One Night In Miami is one to watch.
Wilson Kwong spoke with Madeleine Sims-Fewer and Dusty Mancinelli about their creative process in bringing such an important story to the big screen.
The COVID-19 documentary 76 Days is urgent and wrenching, unbashful in its presentation of tragedy and confusion.
The Devil All The Time balances each story, giving it is time to flourish and each character’s contribution to the others to be fully realized.
Concrete Cowboy is a heartfelt reclamation and tribute to a long lineage of Black frontiersman that’s largely been swept under the rug.