2020s
The Trial of the Chicago 7 has the potential to become a bona-fide crowdpleaser that will resonate with its target demographic.
The passion of McQueen and his artistic collaborators for telling these stories shines through in every frame.
Letters to Daniel is pretty uneven at times, but the story it is telling is important and engrossing.
There’s so much to be said, and yet we settle into a story that sometimes takes the easier road if not the obvious one.
Alex Lines had the chance to talk with Rams director Jeremy Sims about adapting the Icelandic drama.
The Devil All the Time is disturbing and unrelenting in its catharsis and its portrayal of the cycles of violence.
The Paper Tigers is crafted with a sense of passion that can only come from a filmmaker who is eager to express their own intimate creativity.
Summer of 85 is one of the best coming of age stories in recent memory – an affecting tale of first love and first heartbreak.
It is a tonal trick of some skill that Harry Macqueen has pulled off with Supernova and thankfully, he spoke to Andrew Young about just how he did it.
The Old Ways is engaging and horrific, keeping relevant themes in the foreground while entertaining with solid and gruesome scares.
Those who bought tickets to see the woman-meets-ride romance won’t be disappointed but Jumbo has more on its mind.
French Exit is one of the most distinctive films of the year, delivering witty dialogue, nuanced performances and a resounding depiction of acceptance.
In an era where hand-drawn animations are fewer and fewer, films like this one ought to be shouted from the rooftops and celebrated.
Reviews of Aussie thriller Bloody Hell and the dark comedy Dinner in America, fresh from the inaugral Nightstream film festival.
With Mangrove, Steve McQueen crafted a beautiful, shattering testament to the power of community amid the horrors of tense racial relations.