2020s
From adult animation about cryptids to thrillers, in her first report from The 2021 Sundance Film Festival Kristy Strouse gives us her first three reviews.
The performances Siân Heder draws from her actors always hits the right note that it’s nearly impossible for you to not fall in love with this movie.
Supernova is a remarkable little film, highlighted by the beautiful chemistry between stars Colin Firth and Stanley Tucci.
State Legislature, Monrovia, Indiana, and City Hall may each look at different levels of governance, they all present the importance of public service.
Malcolm & Marie isn’t a terrible film by any means, but it’s undoubtedly a bewildering mess that collapses under its own weight.
The Film Inquiry team gets together for a casual roundtable – this week we discuss their favorite first watches of 2020.
While a bit shaky at times, the Chilling Adventures of Sabrina brought a unique perspective I hope future inductions will honor.
From its very first beat, Silence & Darkness is filled with a lingering sense of distress, unfortunately gaining traction too late in the game.
This is a series that shows its cards right in the title; it’s about the hunt. And it’s an unforgettable one.
Promising Young Woman sacrifices its opportunity to deliver the ultimate revenge fantasy for something unexpectedly profound and, thematically necessary.
Teenage Bounty Hunters hit an unlikely intersection of relatability, character and relationship growth, and adventure.
With History of Swear Words, Netflix delivers entertainment and knowledge regarding those naughty words that have morphed throughout the years.
Pieces of A Woman is remarkable – it’s either the final great film of 2020 or the first masterwork of 2021.
The Dig finds a good old tale of British excellence but never quite brings it to life failing to avoid trite pitfalls along the way.
What started as a meme last year on TikTok — that the 2007 Pixar film Ratatouille has Broadway musical potential — unexpectedly exploded in popularity.