2020s
Too caught up in its own inventive twist on the world, Bliss offers high concept science fiction without tying it to something meaningful.
Farah Nabulsi’s short film, The Present, captures the dehumanising and frustrating experience of living under occupation.
Wilson Kwong spoke with director Jakub Piatek and actor Bartosz Bielenia about their latest film Prime Time.
Mass may not be an easy film to watch, but its emotional journey is both important and emotionally gratifying.
Profound, gorgeously shot, and performed, Little Fish is a film that is unforgettable.
At this particular moment, In the Same Breath certainly feels like the COVID-19 documentary that the world needs to see.
Kristy Strouse reviews the campy action fantasy, Prisoners of the Ghostland, and spoke with star Bill Moseley.
Here there’s no such thing as taboo – and that, in the end, is the beauty of Jerrod Carmichael’s directorial debut On the Count of Three.
In her second report, Kristy Strouse shares three more films that she adored, all very different, but each with fantastical elements.
In his first report from the 2021 Sundance Film Festival, Wilson Kwong reviews R#J and First Date from the festival’s NEXT program.
While the movie could’ve been a little deeper, Censor is nevertheless still a solid debut from Bailey-Bond.
One for the Road proves further that Baz Poonpiriya is one the most exciting Asian filmmakers working today.
The Little Things wants to be a movie absorbed in its meticulous clues and details, yet stumbles over itself at nearly every possible moment.
Kate Tsang spoke with Film Inquiry about her film Marvelous and the Black Hole premiering at Sundance Film Festival 2021.
Erin Vassilopoulos spoke with Film Inquiry about her film Superior during its premiere at Sundance Film Festival 2021.