2020s
Irresistibly charming, I’m Your Man needs no beeps and boops and tiring gimmicks to convey the abyss between man vs machine.
A contender for feel-good film of the year, De Capo follows a musician returning home, where he’s torn between his music and the kids he inspires.
Shorta is a timely and thrilling actioner with its plot of police brutality and ultimately its message an important one to hear.
Full of unfunny human characters and a plot that doesn’t even involve its iconic animal characters, Tom & Jerry is a gross miscalculation.
Underneath all the comedy and action are moments of real heart and pathos, Riders of Justice manages to balance its brand of pitch-black humour and gore.
Creation Stories will appeal most to those with an interest in 90s pop culture as it is unabashedly content to revel in those memories.
What we’re given is far more surface-level than it should be, and unfortunately doesn’t add as much to the conversation as it perhaps thinks it does.
I Care A Lot suffers from a tonal shift, is still prevalent enough that the film is entertaining and enlightening all the way through.
Brivik spoke with Film Inquiry about his involvement in Wild Indian during its premiere at the 2021 edition of the Sundance Film Festival.
Like its title suggests, it is a peculiar tale that lives on its frustrating evocation of the ambiguity of love.
While Alice Fades Away maintains your attention, there is a certain spark missing throughout its core, leaving it enjoyable but far from memorable.
Wilson Kwong spoke with Natalie Chao at the 2021 Sundance Film Festival about her documentary To Know Her.
With a lack of investment in its central character and a lackluster execution, The Night is a film not likely to see the dawn.
Sex, Drugs & Bicycles allows us Americans to consider cruelties within our system that we have come to accept as the status quo.
A wild and wacky comedy with bold splashes of the fantastical, Barb and Star Go to Vista Del Mar is the vacation from reality we all need and deserve.