2020s
Film inquiry had the chance to speak with Vaughn Stein, the director of Every Breath You Take, a deep character study in disconnected yet shared grief.
While a bumpy ride to the end, it is an intriguing character study that examines grief and loneliness while infusing intensity and thrills.
Warner Bros. has finally made Wonder Woman 1984 available physically on Blu-Ray, and franchise fans should be pleased with the results.
From its terrifying opening all the way to its devastating ending, The Fallout deserves immediate attention.
Even the successes can not push the film beyond one of its biggest flaws – it seems to be in a constant battle with itself on what it wants to be.
Kevin L. Lee reports back the latest from SXSW 2021 with Here Before, The Spine of Night, and Broadcast Signal Intrusion!
Kevin Lee spoke with writers and directors Philip Gelatt and Morgan Galen King about their film The Spine of Night and more!
While Six Minutes to Midnight does tell a story about life on the cusp of World War II, it still doesn’t stand out.
Allen v. Farrow – from the first episode to the last – has been an exercise in biased reporting, never representing both sides of the argument.
Even though I can feel everything is well-intentioned, little to none of it resonated. Thy movie is amiss.
Episode three of Allen v. Farrow focuses on the allegations against Allen by a young Dylan Farrow and two seperate investigations into it.
Slaxx offers plenty of fun and amusing gory moments with a heartfelt story showcasing the evils of the fashion industry.
A sturdy but familiar entry, Nobody hews so close to standards that it brings the whole genre into question.
In his first report from the 2021 SXSW Film Festival, Musanna reviews Kid Candidate, WeWork and The Lost Sons!
Based on the 1892 Charlotte Perkins Gilman short story by the same name, The Yellow Wallpaper is a thriller that stumbles with uneven performances.