2020s
She Came Back is a well-crafted horror film that leverages powerhouse performances and exceptional storytelling to create a memorable experience.
Trap is a movie seemingly gift-wrapped for greatness that eventually crumbles under its own logic.
The Instigators evokes the Boston movies of yore like a Dunkin’ drinkin’ Ghost of Christmas Past.
From this year’s New York Asian Film Festival we take a look at Pattaya Heat, Twilight of the Warriors: Walled In & Brush of the God!
While Twisters is pretty much exactly what you’d expect, it will warmly invite you into its merry world of meteorologists and storm chasers.
Despite its issues, I find the movie an uncomfortably entrancing tale of desire, one that I will continue to return to for years to come.
Witches may not be the most talked about film at this year’s festival, but it is certainly the most vital.
Forty-five years after Alien, cat people finally have a new horror movie with Michael Sarnoski’s “A Quiet Place: Day One.”
Part boxing movie, part familial drama, Bang Bang is further proof of Vincent Grashaw’s directorial expertise and a showcase for Tim Blake Nelson’s talent.
Overall, Longlegs is well-directed, artistically apt, and really, really suspenseful.
Sisi & I is a worthwhile look at her life through the eyes of another, even as it suffers from comparisons to similar work.
Devery Jacobs and Evan Rachel Wood star in the queer cheer drama “Backspot,” executive-produced by Elliot Page.
The Convert is a movie quaking with trauma and suffering.
The Bikeriders is a memorable addition to Jeff Nichols’ ouvre.
Made in England: The Films of Powell and Pressburger is a fitting tribute to the preeminent magicians of the movies.